If any evidence of a pathological "sunset" or just this "split personality" (schizein schizophrenia of old Greek σχίζειν "split off" and φρήν phrēn "diaphragm, soul") seen in these pictures or their sequence ...?
It says Erna as about five or six years in the garden behind the Muhlenkamp - like a frozen spins in turn clogs - "Holschken" ...
On the big family photo on which the family has been placed to take pictures behind the Muhlenkamp Building, is Erna seen as the second from the left. She smiles into the lens, like most other people too, probably at the behest of the photographers who recorded the photo appears with a plate camera, perhaps as in 1930. Thus, Erna was then about eight to ten years old. 
follow Next, two images appear on a school trip: There are over seventy people seen and probably the teacher or his colleague in the background with high collar and bow tie. And in the third row from top, far left, is seen the little Erna (see arrow), perhaps as old as the family photo, in a white smock dress, her long hair braids pushed back probably to the node.
skillfully they look similar in the second outing photo. You can hardly recognize her face as about third from right in the third row from the bottom (and up) (see arrow).
Then follows a picture that Erna Kronshage, maybe fifteen or sixteen years old, in the garden behind the house - washing the laundry at the fountain - shows (see also the title banner).
There is then a series of three photos, Erna expel twice in the company with her sister Martha, but always on the carts used to be. Erna has old in these photos perhaps sixteen or seventeen years, the sister of Martha is certainly eleven o'clock Years older. you able to go with the hand cart, ranked him the pole to a tree in front of Muhlenkamp. In the background is the recognizable and the attached house next door "Schweinehöffken. straw is on the farm. On the benches under the tall oak trees lean their bicycles to commuters who know where their protected vehicle of Mama Anna Erna and safe when they rise from the opposite station Krack each on the train to Bielefeld and Paderborn.
draws on a photo Erna the cart on the then dirt road to turn towards district heath flowers or community Schloss Holte, probably also right at Winters Mill to the right. In the background right now the Muhlenkamp be seen, the left is a house with a shop that is now long since the traffic flow of this now busy junction with traffic lights and railway barriers in the area of today's station Bielefeld-Senne city on the tracks of the Senne-Bahn between Paderborn and Bielefeld Brackwede had to give way. The right of this house located behind the former station Krack.
There are no braids or curls in the military "shuttle" to identify that it is probably a joke borrowed from one of her since the military seized brothers during a holiday visit hat.Auf, the back of the photo written by the brother Ewald "Our house sunshine - Aug. 1940!!". All four sons were at that time, according to Father Adolf "in the field" - a son is "in the fallen," as they used to say the deaths of the soldiers at that time. now follows a series of photos in which Erna always in the same medium-length dark blue party dress probably was photographed. On a wedding photo, she is seen in this same dress next to the bride, her sister Hanna, as bridesmaid.
She smiles at the viewer open, perhaps a touch uncertain whether this role because the bridesmaid were probably chosen at that time those persons likely to be forthcoming with their marriage.
Two other photos show her in that dress. Once with them back behind the Muhlenkamp, probably one of her nephew in her arms, suggesting that this picture may have been made in the spring of 1940. Another photo, probably taken on the same day, it shows happy with her sisters in a row. A portrait finally it shows again in this party dress. Now this is the last remaining photo of Erna.
reflect the thirteen total photos the normal growth of a young woman. We see them frequently in gay relationships, even at work. Her bright eyes look clear and friendly and come in contact with the viewer. It works really never incoherent, driven, overwhelmed or stressed.
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