Water Retention Mirena Coil

1 - The talk time is ...

There is still something we can not really tell, and can. What we do not really know, can not even need to know - and what was actually embalmed data-only for some periods.
Those who know them say anything. Yes - they rebel Since there are not even say nothing more.. That was the time. Oh yes - the time it was back then. And all the children were at that time but their time. All this is but now supplanted times successfully. Some of rest must be left. Not constantly follow up nachkarten, it herumfleddern. Let's finally good be.


"Forgetting extermination is part of the self-destruction" said Harald Welzer added in reference to Jean Baudrillard, however, formulated only in our time: the forgetting of horror is so by the perpetrators, by the fascist system been implicitly thought along and worked with - was more or less the sense of annihilation: Forget the Getöten - it removes from your memory: "Happy is - who can forget - which is no help for " ... - As the text to a abgenudelten schmaltzy operetta by Johann Strauss in the "bat", premiered already 1874th With forgetting the horror of horror would have its purpose. Mind was - "eliminated" - delete - once and for all - bring into oblivion - for a "new era" ... It's been different: For the purposes of the operetta I am perhaps even chronically a little "un-happy," because I do not "forget" just like it.
No - talk time. And the dead will speak - in photos, in a letter, in statements on file. They dance through our thoughts. They live around us.
I will trace the violent death of my aunt Erna Kronshage in February 1944 here in this blog piece by piece, if I succeed. And I'm going to rebel against injustice.

Martha's statement on the death of her sister Erna Kronshage - (and really the whole story in short form - if not all would be much more complicated ...):

"She died of pneumonia in Gniezno, to the east, there was probably as a lunatic asylum, a hospital - well, just such a mental hospital - Tiegenhof - so It was in the telegram that mom and dad were at that time and also on the label brands, with which the coffin was sealed. They had been moved there. Previously, she was in Gütersloh, since in the hospital. That was because at home no longer with her. Our mum she had to then be taken away. From the Brown community nurse. So you mentioned the time of NSV. Oh, I do not know how the name was. And then Ernchen is even with a knife - in anger - have brandished a knife - yes. She was so unhappy. And do not work anymore. But Mom was still dependent on them. So that's about it I do not remember it. That was all a bad time, bad time. And the men were all at the front - was, and Dad - Dad, my brothers, my uncle so also because of his asthma war unsuitable - but he was already 60 years old. And then there came one day a telegram that she had since passed away suddenly in Gniezno. And Dad has then immediately used that Ernchen was there in the east leads to us here. And only one has said it would not, but then the well worked out yet. But Mom insisted on looking into the coffin, as Ernchen looked like, if you see what could be, as she was then transferred to home. I had small children and could not go to the funeral. And Heini, who then opened the coffin in secret. He was not at war, which was probably released from combat duty or, as it was called then. The Carpenters had was yes and the tool to open the coffin, but secretly they would have looked good, our Ernchen -. I mean it as a dead body. Was also very cold on the ride. Was in the winter - and then her corpse in a coffin - in a freight car ... The transfer car was at that time probably almost a fortnight on the road - until he arrived here. It was also war, and then came the even from the East that lasted. And the trains back then were shot at and attacked. They had sometimes during the day in a forest stand on the track and take cover - only at night and could continue their journey. The car was simply to other Features attached -. Until he arrived here dad had insisted that his youngest would be buried at home in their home sand in the family grave. They have probably the arms of the corpse-Erna nachgeguckt and elbows, but since you have not seen any punctures by lethal injection. . And no wounds or surgical stitches were visible, and that Mama always told that the corpse itself - ie the person - have looked bad - Ernchen was just skin and bone have been ... "

... the extent to Martha's subjective perception of events Erna ...


Photos: spruce on Muhlenkamp (private) - "Muhlenkamp - home of the Kronshage in Senne II (private) -

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2 - ... The seal marks the asylum ... - "Cause of death unknown" ...

The very superficial report Marthas was striking, why researching the corpse of a young woman who was in a clinic in the east allegedly died of "pneumonia", a fortnight after their demise cuts in the withered cadaver skin, and why you do secretly opened the officially sealed coffin . The family did not trust the official figures - and had every reason to do so - and wanted to see for yourself. Erna was actually very healthy but only 17 months earlier admitted Gütersloh in the hospital. And now this sudden end, 630 miles away. And the Kronshage would satisfy themselves that at all because in fact the remains of the coffin were Erna, who was reached on the Krackser station tracks in a railroad car after 600 kilometers of railway Überführungsweg. All this had to be done quietly - and that took courage and absolute discretion in the Nazi era. The family suspected that is off the record, that the body of the youngest, perhaps for experimental purposes by abused Nazi doctors in East Institute.

And can the situation of these private morgue imagine how the coffin there in the carpenter shop of Papa Adolf in Mühlenkamp of him and his son Henry was opened just quietly after he was in Night and Fog in the "after . Pleading and begging "was hoisted in front of the property fits ranged Pack wagon across the railroad And one stood at the wooden door and kept watch, and Henry -. Uk made for the military - broke the seal marks the asylum ; the coffin - which was emblazoned on the imperial eagle, and unscrewed the lid and inspected the corpse in the dim lighting Probably they had brought a doctor - and they probably can mobilize a doctor - and probably was the pastor.. not present. And Anna, the mother, "Mama" as she fondly by all eleven children but was also known reverently watched them in the assessment of the shoulder. And all those present whispered to amateur diagnoses and grade assessments.

The whole thing was a macabre sinister motive, as the painter can be Rembrandt or by Emil Nolde devised no better and composed and the screen would have made: the open coffin on two blocks against the backdrop of walls highly abundant equipped carpentry and joinery workshop with open shelves of well-ordered, in the dim Funzellicht dark shiny wooden tools - How different planes, angles, mallets, hammers, rasps, chisels, etc. And then the coffin was then laid out on the Deele Kamps of the mill, from where the body Erna Kronshage then "officially" on Sunday, was brought 3/5/1944 picked up, with the local funeral carriage to the cemetery in Senne and II, where the funeral took place at 15.00 clock in the afternoon.

The "official" cause of death officially reported as "Complete exhaustion of the body" was from the family apparently paid no faith. They inspected and searched. And in the death register entry in the parish of herdsman II dated 05.03.1944 recorded Pastor Holzapfel these remarks - at that time certainly reflected a "silent protest" - see also section 24 :

"unknown cause of death - she died in an asylum for the insane in Tiegenhof, Kr Gniezno."

But with the death of his father, "Papa" Adolf, - 4 months later, in June 1944, with 68 years - even this "critical" in this spirit disappeared in the family. Furthermore, it was in the family of the death of Erna's more modestly concealed as openly communicated.

Photos: From Top to Bottom: View of a typical bedroom / Deele in East Westphalia-Lippe - similar to the Muhlenkamp - Authoritative source: Wikipedia / wiki / Kalletal - Pack car from the German Railway (modified ) (Google image search) - carpentry workshop http://upload.wikimedia.org/wikipedia/commons/6/63/Schreinerwerkstatt_Boos_Aulendorf.jpg - Seal brand "insane asylum" Tiegenhof / Dziekanka, Gniezno, Posen (Private) - morgue Face = use of a photograph of http://leichenschau.medicalpicture.de/ - The secret morgue (use photo's from " frage.net good "& of (c) dpa / tz-online - V)

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3 - The beginning - the localization in Senne II (OT Krack) - Today: Bielefeld-Senne city

Muhlenkamp about 1940 - Photo by Ewald Kronshage - Muhlenkamp 2010 - Excerpts from: GOOGLE STREET VIEW: Verler Street, BI-Sennestadt (below)

birth and baptismal certificate

Erna was Kronshage On Tuesday, the 12th December 1922, to 21 clock ("Afternoon 9 Clock"), in Krack, Senne II, No. 6, Office Brackwede, county Bielefeld (now Bielefeld-Senne city), as the eleventh child of the married couple Anna and Adolf Kronshage (the zodiac sign Sagittarius - Ascendant Leo) was born in the paddock, "Muhlenkamp, today Verler 76th Street
The December 1922 in historical weather records for eastern Westphalia as a "mild Month", after it had in October and November already, where frost.

reproduction from the book Sennestadt, ed Sennestadt-GmbH, 1980: The farm in the district Krack, at today's Verler Street, formerly station road, "Muhlenkamp referred to - the birthplace of Erna" Senne II No. 6. " Kronshage - after a graphic of Horst H. Wasgindt, 1980 - The caption for Muhlenkamp in the original 1980 ". In very good condition and the figurines of Westerwinter just before the railroad crossing this figurines is many dairymen" learner ", which by train to their school to Bielefeld drove a good memory, but they put their bikes in "Grandma Kronshage" under and then darted quickly over the tracks to the waiting train. "

The the cultivated fields behind the family Kronshage Muhlenkamp - in this case similar view to the forest edge towards Brinkmann

Evangelical Church Senne II - (now Cross Church Sennestadt) - Erna baptismal and confirmation Church

so "picturesque" seen today at the former sawmill from Westerwinter (see also Section 8 "... bombs ...") - in proximity to the mill Kamp, the birthplace Erna Kronshage - source: the use of a photo from the guide "Walking in Sennestadt", 2010

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On New Year's Day 1923, "ERNA" in the church baptized by Pastor Jansen Senne II - Erna's godparents were sisters Anna and Lina (see Birth - and baptismal certificate - above)

And on 03.21.1937 (Sunday Palm Sunday) Erna Kronshage was confirmed in the church at Senne II by Pastor Holzapfel. The confirmation verse was:
"God is love, and he who abides in love abides in God and God in him."

(1 John, 4:16).

(entry for confirmation in the church register Senne II - Click to enlarge: enlarge with picture)

The corridor designation " Kra (c) ks "- originally the name of the landowner on which the station was built and where most land belonged to all - has now disappeared and is only sometimes identifying the nearby adjacent uses station across the railroad tracks.

station "Krack" - today "Sennestadt" - Recording from the perspective of the built family Kronshage arable land - from the tracks Viewed from - source: decease / Peters: Between two highways, SH-Verlag 1995, p.82

Typical Deelenansichten, similar to the "Muhlenkamp - Source including: THE SENNE, Wehrmann, 1985

The dwelling was born into the Erna, was set up according to our current standards extremely sparse. Small cabinets for what you needed. The working and everyday footwear of all consisted of simple wooden shoes, from "Holschken", in the winter and summer, the dress was indeed sufficient but overall it simple and sparse and repaired again by the seamstress and laundry Flick Erin and prepared. For Sundays, and holidays were hard then, the festive clothes and the "good" shoes, and that's it for now.


Typical work Dish

Typical bedroom - much of the equipment in the "Muhlenkamp" - Photo: Achim Schmidtmann, Open-Air Museum Detmold

There was also a phonograph needle on the "making music". The brothers were part of Erna's musical instruments. And there was the news and the "duty talk" to the "People's Receiver" ...
evening - the "closing time" - the family sat together, played gramophone, stuffing, knitting, reading the newspaper - was the TV, it's not yet ...

People's Receiver "- to 1935/1940 - Source: http: / / de.academic.ru/dic.nsf/dewiki/481609 - including: paintings by Paul Matthias Padua, 1939, listen to the "leaders" speech - www.thirreichruins.com

section of the 1:25,000 topographic map "4017 Brackwede" - Edition 1947, with "Krack" as a district in SENNE II - left on the railway line at the station Krack a red dot, "Muhlenkamp "... - Find: Photo Repro LWL: typical closing time scene early / mid 20.Jhrdt.

A similar cut google earth today: the "Muhlenkamp" marked with a "yellow needle"

A similar section from a hiking map - Source: "Hiking in and around Sennestadt" Sennestadt Association 2010 - (c) surveying and land registry Bielefeld 5 / 2010

Erna Kronshage immediate environment - neck Walking from the above map, 2010

The typical sand paths and - "roads" in Senne II currently Erna Kronshage - Image Source: THE SENNE, Wehrmann, 1985

Bahnhofstrasse in Krack / Senne II, at the rear end on the right was the Muhlenkamp and across the train tracks then the station Krack - then: The Church Inn Ramsbrock and community representatives - the "Sennebad" in which Erna Kronshage certainly went swimming about 200 m away from the living cotta - View on the newly built highway to the Reich absorbed. "Bielefeld mountain", now the A 2 - exit Bielefeld-Senne city "- Source: Postcards from 1942

Diagram Cigarette Lighter Plug

4 - Erna Kronshage - The family - Recording 1930

Top row - left to right: Hannah b. 1913, Martha b. 1911, Frieda b. 1909, Emma * 1906 * 1903 Lina, Heini * 1905, William * 1917, * 1919 Ewald

Bottom row - from left to right: ERNA * 1922, Anna * 1902, Mama Anna * 1879, Papa Adolf * 1876 * 1899 Adolf

(enlarge: click on the picture)

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5 - Approaching a "dangerous to the" person ...

If any evidence of a pathological "sunset" or just this "split personality" (schizein schizophrenia of old Greek σχίζειν "split off" and φρήν phrēn "diaphragm, soul") seen in these pictures or their sequence ...?

It says Erna as about five or six years in the garden behind the Muhlenkamp - like a frozen spins in turn clogs - "Holschken" ...

On the big family photo on which the family has been placed to take pictures behind the Muhlenkamp Building, is Erna seen as the second from the left. She smiles into the lens, like most other people too, probably at the behest of the photographers who recorded the photo appears with a plate camera, perhaps as in 1930. Thus, Erna was then about eight to ten years old.

follow Next, two images appear on a school trip: There are over seventy people seen and probably the teacher or his colleague in the background with high collar and bow tie. And in the third row from top, far left, is seen the little Erna (see arrow), perhaps as old as the family photo, in a white smock dress, her long hair braids pushed back probably to the node.

skillfully they look similar in the second outing photo. You can hardly recognize her face as about third from right in the third row from the bottom (and up) (see arrow).

Then follows a picture that Erna Kronshage, maybe fifteen or sixteen years old, in the garden behind the house - washing the laundry at the fountain - shows (see also the title banner).

There is then a series of three photos, Erna expel twice in the company with her sister Martha, but always on the carts used to be. Erna has old in these photos perhaps sixteen or seventeen years, the sister of Martha is certainly eleven o'clock Years older.

you able to go with the hand cart, ranked him the pole to a tree in front of Muhlenkamp. In the background is the recognizable and the attached house next door "Schweinehöffken. straw is on the farm. On the benches under the tall oak trees lean their bicycles to commuters who know where their protected vehicle of Mama Anna Erna and safe when they rise from the opposite station Krack each on the train to Bielefeld and Paderborn.

draws on a photo Erna the cart on the then dirt road to turn towards district heath flowers or community Schloss Holte, probably also right at Winters Mill to the right. In the background right now the Muhlenkamp be seen, the left is a house with a shop that is now long since the traffic flow of this now busy junction with traffic lights and railway barriers in the area of today's station Bielefeld-Senne city on the tracks of the Senne-Bahn between Paderborn and Bielefeld Brackwede had to give way. The right of this house located behind the former station Krack.

There are no braids or curls in the military "shuttle" to identify that it is probably a joke borrowed from one of her since the military seized brothers during a holiday visit hat.Auf, the back of the photo written by the brother Ewald "Our house sunshine - Aug. 1940!!". All four sons were at that time, according to Father Adolf "in the field" - a son is "in the fallen," as they used to say the deaths of the soldiers at that time.

now follows a series of photos in which Erna always in the same medium-length dark blue party dress probably was photographed. On a wedding photo, she is seen in this same dress next to the bride, her sister Hanna, as bridesmaid.

She smiles at the viewer open, perhaps a touch uncertain whether this role because the bridesmaid were probably chosen at that time those persons likely to be forthcoming with their marriage.

Two other photos show her in that dress. Once with them back behind the Muhlenkamp, probably one of her nephew in her arms, suggesting that this picture may have been made in the spring of 1940. Another photo, probably taken on the same day, it shows happy with her sisters in a row. A portrait finally it shows again in this party dress. Now this is the last remaining photo of Erna.

reflect the thirteen total photos the normal growth of a young woman. We see them frequently in gay relationships, even at work. Her bright eyes look clear and friendly and come in contact with the viewer. It works really never incoherent, driven, overwhelmed or stressed.

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